The Risky Business of Silence #NaBloPoMo.

I have come to believe over and over again that what is most important to me must be spoken, made verbal and shared, even at the risk of having it bruised or misunderstood. That speaking profits me, beyond any other effect. ~Audre Lorde

For years I’ve carried a story untold. Two decades. Thank goddess I finally realized the untelling was its own telling; my silence its own story. Like an ill-trained architect, my silence designed a life that might not have been. And I suppose it had my permission – my silence was consent. But as of late I have been telling the story, rereading it and writing a new ending…building a brand new life.

Silence wasn’t a strategy. Not a conscious one, in any event. I didn’t know I needed to tell it. I didn’t know there was even a story; that there was anything worthy of telling. So I didn’t. I didn’t share it with anyone.

Not even me.

I carried a story untold, never bothering to see if the heroine, teenager that she was, needed to share her version of events. I never checked to see if she wanted to claim her space. Lift her voice. I gave her shelter, but no platform. I thought nothing of it, and without so much as gut check, I muted her.

And with each passing year, her story was reduced to a chapter, a vignette, a scene, a beat. A moment that no longer mattered because it was all those years ago, and here we are in a new time, and space, with new characters. No need for digging up the old untold.

Lies.

What are the words you do not yet have? What do you need to say? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence? ~Audre Lorde

There is a risk in the telling, yes, but the greater risk is in the untelling. In the silence. In the denial of your story. In the casual disregard of your truth. Voicing your story does not have to mean telling it out there to them, but at the very least, you owe it your life to tell it in here, to you. What truths are hidden in your silences? What love is lost? What life is secreted away, literally buried alive? Can you save it? (Tell it). What is the story that remains hidden so far in you that you barely recognize or remember it? (Tell it).

Funny thing about a story untold. We deny it audience, yet it finds one anyway. We hear echoes of characters past in the voices around us today. We recognize the scenery in our present circumstances. We don’t quite understand why the script, the players, seem familiar. It’s untold story, demanding recognition. When if we could just tell it and see it for what it is, we could get on with the very important business of writing the life we really want.

And of course I’m not promising that telling is easy. Sometimes storytelling is a dangerous, triggering business. But you are the author of your life. Name your reality. Share your story.

And then? Keep writing the rest.

A Request

You are not an impostor and you are not alone. This, despite any feelings or supposed evidence you may have to the contrary.

I wish someone had shared this with me before I started graduate school. I wish it had been the hook of a song I was required to sing each morning upon waking. I wish I had repeated it, hand over heart, at the beginning of each class period; a pledge and a reminder.

As it was, I didn’t figure these things out until quite near the end of it all, after many days (years) of wondering what the hell I was doing there. Really.

A former student of mine solicited advice on finishing up away from peers and profs. It’s a good question. There’s enough isolation during the process when you’re surrounded by support; never mind away, with a new job to boot. Vulnerability is not easy among strangers, especially in a professional setting. And there’s something to be said about the implied distance within virtual spaces.

I’ve developed a response, but I’m going to let it marinate overnight.

Today in Women…

Today, two articles about women captured my attention for a good portion of the day. I share them here with little commentary, as in both cases, the content speaks for itself.

The first piece is Ashley Judd’s blistering critique of patriarchy and women’s and men’s complicity in upholding it. In it, she thoughtfully problematizes the media’s portrayal of women. It is fierce and awesome and bookmarked in my Diigo account  for future reference.

The Conversation about women’s bodies exists largely outside of us, while it is also directed at (and marketed to) us, and used to define and control us. The Conversation about women happens everywhere, publicly and privately. We are described and detailed, our faces and bodies analyzed and picked apart, our worth ascertained and ascribed based on the reduction of personhood to simple physical objectification. Our voices, our personhood, our potential, and our accomplishments are regularly minimized and muted. Continue reading.

As excited as I was to read Ashley’s piece, I was later reduced to tears – devastated to find out about legislated acts of violence against imprisoned women. I’ve been tuning in more to the politics of the prison industrial complex, and I’m the first to admit I have a lot to learn. Yet, the fact that women in 35 states are shackled while giving birth, was an appalling revelation. This article touts the good news that Florida (of all regressive places!) has put an end to this horrendous practice.

It’s unusual to hear of good news from the war on women coming out of Florida, but there is some. Last week Gov. Rick Scott (R) signed a bill that establishes humane and uniform rules for the treatment of pregnant women who are incarcerated in any jail, prison or detention center in Florida. Continue reading.

I was encouraged to learn about the efforts of the Rebecca Project, and they are now on my list of organizations I’d like to support and/or partner with in some way. One of my goals this year is to write and publish an advocacy piece on a cause of personal import. I think I’m one step closer to at least finding the cause. Lest we forget, prisoners are people, too.

A New Conceptual Framework

SGI young women’s study group bon voyage gathering.

It’s time for me to go back to the literature again. It’s not for a class paper (yay) or my dissertation (done); rather, it’s for me.

I have many ideas swirling around for research and teaching, and (no surprise) most of them are not directly connected to what I’ve spent the past three years reading/writing/thinking about.

I’ve never taken a women’s studies class, but I’m feeling as though it may be time to audit one. I’d like to read, write and teach at the intersection of women (18-35), literacy, narrative/story, and human revolution.

I wonder how good UGA’s digital library collection is…